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"He's covered, safe enough. They've throwed an ould sheet over him,—over what remains of him this cruel day. Och, wirra-wirra!" cries the woman, suddenly, throwing her hands high above her head, and giving way to a peculiar long, low, moaning sound, so eerie, so full of wild despair and grief past all consolation, as to make the blood in Rodney's veins run cold. "Did he?" says Mona. "Geoffrey gave me these pearls," pointing to a pretty string round her own white neck, "a month after we were married. It seems quite a long time ago now," with a sigh and a little smile. "But your opals are perfect. Just like the moonlight. By the by," as if it has suddenly occurred to her, "did you ever see the lake by moonlight? I mean from the mullioned window in the north gallery?" Presently he came to another lodge, and the man who owned it came out and spoke to him, asking where he was going. The young man said, "I am looking for my dead wife. I mourn for her so much that I cannot rest. My little boy too keeps crying for his mother. They have offered to give me other wives, but I do not want them. I want the one for whom I am searching.".
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"You must give me another dance, Mrs. Rodney, before your card is quite full," says the duke, smiling. "If, indeed, I am yet in time." "And Uncle Brian?" asks Mona, fearfully. "Waiting—for what? Is it to shoot him?" asks the girl, breathlessly. "Thomas has plainly taken to hieroglyphics,—if it be Thomas," he says. "I can fancy his pressing his young woman's right hand, but her 'top corner' baffles me. If I were Thomas, I shouldn't hanker after a girl with a 'top corner;' but there is no accounting for tastes. It really is curious, though, isn't it?" As he speaks he looks at Mona; but Mona, though seemingly returning his gaze, is for the first time in her life absolutely unmindful of his presence..
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